This afternoon I received an advance copy of the book I shot with Katie Rushworth and Tara O’Sullivan last summer. Really pleased!
Category Archives: Gardens
A selection of work taken recently for the RHS at Wisley.
Business is blooming
From a shoot on business women in You Magazine on 16th August 2015. On a large feature, several thousand shots often need editing down to half a dozen or so. This means overlooking many equally good images. So, a small selection of out-takes. The first, a quick shot as I was packing my kit away.
Two more from the same series:
Seed collecting, RHS Wisley
A day at the RHS Gardens, Wisley, collecting seeds with staff and volunteers.
Chelsea Physic Garden
Organic garden and compost course at the Chelsea Physic Garden.
WC Garden @Vanguard Court
A revisit to the WC Garden @Vanguard Court Chelsea Fringe project in 2014 for its relaunch as Anna Rose Hughes’ studio.
Foamlea Gardens, Mortehoe in Devon
A shoot for SAGA Magazine, Foamlea Gardens, Mortehoe in Devon. A brief visit.
From the archives – John Cooper Clarke
An unexpected visitor at the Chelsea Flower Show in 2010…. John Cooper Clarke, who made an appearence at the Tom Hoblyn show garden. I so, so, so wanted him to do this. But he didn’t.
I have been asked to write about my favourite photograph in conjunction with a talk in early September. This must be one of the most difficult editing processes for a photographer. The decision will change on a daily basis, depending on current projects, work and new ideas that have found space in a notebook. I think the closest I can ever get is one of my favourites. So a few thoughts.
Pinhole Impressions 3 was taken in the winter of 2007. It was part of a series included in the International Garden Photographer of the Year competition in 2008, which was awarded second place in the portfolio category. As this was the inaugural IGPOTY competition, I still have fond memories of taking the photographs and the process leading to the awards.
I always get asked two questions when this image is on display. The first is, “how long did it take in Photoshop to blur the clouds?”. The second is, “how long did it take to sweep the leaves into a perfect circle?”. The answer to both questions is no time at all. With any location photography there is always a certain element of luck. And with experience, you create your own luck. You can’t always predict what will happen, but you know something special will. So you wait.
Gale force winds hit RHS Wisley on this particular day. I was experimenting with Zero 2000 pinhole camera and was about to give up, as the wind was buffeting the camera and tripod. With exposure times of 10 to 15 seconds, this was a problem. But the movement of the clouds grabbed my attention, and I knew there was a chance of capturing something interesting.
When I set the camera up, the tree was covered in leaves, but with the severity of the wind, it was stripped in 20 minutes. Instant ‘Land Art’ in the style of Andy Goldsworthy, but completely natural. As I was shooting film, I had no idea how good (or bad) the image might be, but I had a gut feeling something had happened. In the space of around 90 minutes, I took 5 rolls of film at other locations around Wisley, and this formed a large part the ‘Pinhole Impressions’ series. It’s rare that you have this kind of luck.
The Chelsea Fringe Festival, 2012
A gallery of photographs from my tour of Chelsea Fringe Gardens. The Fringe, in its inaugural year, is a new garden festival, directed journalist and author, Tim Richardson.
From their website :
“The Chelsea Fringe festival is a brand new initiative, entirely volunteer-run in its first year. It’s all about harnessing and spreading some of the excitement and energy that fizzes around gardens and gardening. The idea is to give people the freedom and opportunity to express themselves through the medium of plants and gardens, to open up possibilities and to allow full participation. Entirely independent of the RHS Chelsea Flower Show (though acting with its support), the Fringe will explode out of the showground geographically, demographically and conceptually. It will range from grassroots community garden projects to avant-garde art installations. Our open-access principle means that just about anything goes – as long as it’s interesting and on the subject of gardens, flowers, veg-growing or landscape”.
Tony Heywood & Alison Condie’s underground landscape installation